A Private Home Collection of Black Art, Memory, and Cultural Inheritance. A living archive of Black artistic expression spanning West Africa, the Caribbean, and the American South — housed within one of Dallas's most storied historic districts.
The Park Row Collection is a living archive of Black artistic expression, cultural memory, and ancestral lineage housed within the historic South Blvd–Park Row neighborhood of Dallas. Collected by Lincoln Christopher Stephens, the collection brings together works that span the visual languages of West Africa, the Caribbean, and the American South while remaining deeply rooted in the genealogical histories of the Stephens, Williams, and Washington families.
Blending contemporary portraiture, African sculpture, digital collage, mixed media, and generational heirlooms, the collection reveals the layered interiority of Black life across time and geography. Each piece—whether a reimagined ancestral photograph, a Ghanaian street painting, a mixed-media work created on the night of a historic election, or a painstaking graphite drawing from a Texas master draftsman—functions as both artwork and cultural document.
The collection draws its name from Park Row, evoking both a physical place and a conceptual foundation—structure, continuity, and elevation—an architectural metaphor for how stories, families, and ideas are built over time. Within this framework, The Park Row Collection becomes both archive and offering: a space where past, present, and future coexist.
West African tradition, Caribbean identity, and the visual languages that traveled across oceans.
Gabonese Fang Tradition — Contemporary Carving
VIEW ENTRY →Unknown Ghanaian Street Painter
VIEW ENTRY →Marcus Troy
VIEW ENTRY →Florence Akyams
VIEW ENTRY →The Stephens, Williams, and Washington families — ancestors restored, matriarchs honored, and the next generation rising.
DeMarcus McGaughey
VIEW ENTRY →DeMarcus McGaughey
VIEW ENTRY →DeMarcus McGaughey
VIEW ENTRY →DeMarcus McGaughey
VIEW ENTRY →DeMarcus McGaughey
VIEW ENTRY →Vintage Rattan Rocker — Family Heirloom
VIEW ENTRY →Portrait-Painting.com (Commissioned Work)
VIEW ENTRY →Portrait-Painting.com (Commissioned Work)
VIEW ENTRY →Works rooted in the long arc of Black liberation — from civil rights to election night, from Philadelphia to South Dallas.
T. Oosaki (Aubrey Walker) & Charly Palmer
VIEW ENTRY →Samuel R. Byrd
VIEW ENTRY →Nathan Jones
VIEW ENTRY →Attributed to Vonnie
VIEW ENTRY →A. Lisboa (attributed)
VIEW ENTRY →John W. Gaines IV
VIEW ENTRY →Shane Owen
VIEW ENTRY →Works by and for the children of the collection — early marks, self-portraits, and the inheritance of seeing.
Lincoln Christopher Stephens
VIEW ENTRY →Montgomery James Fermin Stephens (Monty)
VIEW ENTRY →First editions, signed copies, and foundational texts — a growing archive of Black letters, fraternal history, and the literary inheritance that shaped the collection's worldview.
Langston Hughes
VIEW ENTRY →Official Fraternity History
VIEW ENTRY →Lincoln Steffens
VIEW ENTRY →Lincoln Steffens
VIEW ENTRY →The Park Row Collection is rooted in the genealogical histories of three families: the Stephens, Williams, and Washington lines. From Anthony Williams Sr. (1855–1917) and Adelaid Samantha Washington (1856–1963) in Texas, to Henry Mae Myricks Williams and Isaac Terrell Williams, and their descendants—every work in this collection traces a thread back to lived ancestry.
The collection honors Prairie View A&M University as a shared institution of memory, and South Dallas as the geographic and spiritual home of Black Dallas heritage. The South Blvd–Park Row Historic District—where Dallas's Martin Luther King Jr. Boulevard meets Malcolm X Boulevard—is not incidental to these stories. It is inseparable from them.
South Blvd–Park Row Historic District · Dallas, Texas · Est. 1921
From Accra to Montréal, from South Dallas to Paris — the artists of the Park Row Collection span continents and generations.
Renowned for his "Painting With a Pencil" technique. Dense tonal layering achieves the depth of oil painting through graphite alone. Commissioned by the USPS for the Dr. Charles R. Drew postage stamp.
Creator of the Kindred series, transforming Black archival photography into radiant contemporary icons. His portrait of Geneva McGaughey inspired the Williams family commissions in this collection.
Philadelphia-based realist whose work merges realism and abstraction. Works appeared on Generations, A Different World, and The Cosby Show.
A practice centered on Black identity, history, and the emotional architecture of liberation. Present in the collection through the historic night of November 4, 2008.
First-generation Canadian of Trinidadian descent. His lifelong Pieces of a Man series — 100 works planned — explores Caribbean roots, folklore, and the multiplicity of Black male identity.
Graduate of the Royal Academy of Fine Arts, Brussels. Co-founder of Résidences Art. Creates from intuition, color, and pattern — building figures that form self-contained worlds.
Houston-born artist whose works are held by George Foreman, Bishop T.D. Jakes, and Muhammad Ali. Celebrated for capturing Black life, culinary heritage, and Southern identity.
A local Brazilian artist who painted Fishermen at Sunrise on the beach at Búzios in 2005 — an artifact of place, friendship, and the global threads of Black experience.
Works in abstraction, text, and layered collage. Explores communication, perception, and the internal mechanics of meaning-making through mixed-media on canvas.
Collector and maker of the Self-Portrait Bust (1994–95) — the earliest work in the archive, created at age 12 at St. John's Episcopal School.
The next generation. Creator of Untitled (Horse Study) at age 8 — a charcoal work of surprising presence, now housed alongside masters of the form.